![]() invaders (Squeeze, the Smiths, Pet Shop Boys). Such music heralded the return of the clever, beat-driven tune, a trend seen by some industry-watchers as a revival of the ’60s British invasion (the Beatles, the Rolling Stones) or a resuscitation of the ‘80s waveof U.K. Pop-song construction, a formula that succeeded first in Britain and Europe, and later Stateside when the American music-buying public seemed ready to eschew the ’90s grunge aesthetic. 1990 in London, England originally named Seymour signed with Food Records, 1990 released first single, “She ’s So High/I Know, ” 1990 released first album, Leisure, 1991 signed with Virgin Records, 1994.Īddresses: Record company -Virgin Records, 338 N. 1969 in London, England), bass and Dave Rowntree (born c. 1968 in Colchester, England), guitar Alex James (born c. 1968 in Colchester, England), vocals Graham Coxon (born c. Like these predecessors, Blur combines wry lyrics with a slick For the Record … The sound of Blur often evokes comparisons with past English acts such as the Kinks and Madness. The frenzied British music press focused on Blur in the wake of its international stardom, and their reportage stoked the sometimes-snide public rivalry between the two bands proclamations issuing forth from Blur ’s lead singer, Damon Albarn, as well as the minutiae of his relationship with Elastica f rontperson Justine Frischmann, provided additional journalistic fodder. ![]() The record accomplished three feats: it launched Blur ’s alternative-band-of-the-moment status in America with the single “Girls & Boys ” it heralded the comeback of “Britpop ” on both sides of the Atlantic and it ignited a fierce rivalry between Blur and fellow English chart-toppers Oasis. Although initial critical and commercial acclaim befell the British pop band Blur in the early 1990s, it was not until the 1994 release of Parklife that the foursome reached Top 40 status in the United States, while simultaneously receiving near Beatle-like attention at home. ![]()
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